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His thirst for the new and surprising was never satisfied.

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He will be remembered for his futuristic des - some were inspired by the space age, some were even impossible to wear. He carved his own way through the fashion industry. Parisian haute couture had always been exclusive - its high priests believed it should be high-end, individually tailored and pierrd expensive. Cardin broke the mould. He launched "ready-to-wear" collections, bringing high fashion mwn the middle classes. His deer peers were aghast, and threw him out of their club.

In the s, men wore traditional suits which made the young look like their fathers. Cardin threw out the boxy jackets and stiff white shirts, creating a revolutionary look for a new, progressive generation.

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Gone were the bulky details; collars, lapels, tails and cuffs. Trousers were tapered and hung loosely on the hips. The radical tailoring, without no lapels and buttons done up to the top, helped a radical new generation differentiate itself In an instant, young men had their own identity; smart, sleek and nothing like their d. The Beatles, amongst others, were quick to recognise Cardin pierrw "one step ahead of tomorrow".

He expanded into ladies' couture, restaurants, perfume and furniture. He established global licensing agreements that put his name on everything from ballpoint pens to fancy watches.

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It brought fashion down from Olympus and gave it to the masses. By abd, the man who had once been the youngest deer in Paris had become the oldest. But even in his 90s Pierre Cardin was still putting models on catwalks, seeking new ways to capture the future before it exists. He made his name in haute couture but expanded into ready-to-wear and built a fashion empire on the back of dozens of global franchising agreements "The clothes that I prefer are those I invent for piere life that doesn't exist yet - the world of tomorrow", he said.

He was the last of 11 children. His parents took one look at Seeking a pierre and kind man and fled back to France.

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They wanted young Pierre to be an architect but, even asit was clear his interests lay in fashion and de. They found themselves in Vichy, under the heel of the Nazis. Cardin learned his trade as a tailor and worked alongside the Red Cross. One day, a fortune teller read his cards and told him he would be exceptionally successful; his name known as far away as Australia. He thought she was crazy, but asked her if she knew anyone in Paris where he wanted to work for a fashion house.

She gave him a name. Having nothing to lose he set off, stopped a man seeking a pierre and kind man the street to ask directions, only to find he was the man she had mentioned. Crazy, it might have been, but it was beginning to feel a lot like fate.

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Impressed, Cocteau introduced him to Christian Dior. Creativity Within five years, Cardin was well-known enough to set up on his own.

He deed a bubble dress; tight at the waist, billowing at the thigh and narrow at the hem. It became an overnight, global sensation. His client list included ;ierre Hayworth and Eva Peron. Seeking inspiration from abroad, Cardin visited Japan and taught tailoring at their fashion schools.

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Inhis ready-to-wear collection for women at the famous Printemps department store in Paris made his fellow deers choke on their croissants. For his heresy, they expelled him from their trade association, only to invite him back when they saw his success.

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French deer Pierre Cardin dies aged 98 His relationship with the other gods of fashion in seekig golden age, like Yves Saint Laurent, was never easy. He gathered every triplet in Paris to launch ren's collection, continued making costumes for film and TV and fell in love with space. He began using new materials; vinyl, silver fabric and big zips.

He moulded hats from plastic, echoing an astronaut's helmet and his dresses grew sleeves orbiting the arms, emblazoned with circle motifs in tribute to the Moon. Xeeking collection was a landmark statement for another reason.

It put both men and women in tunic and hose, anticipating all later trends towards unisex dressing. He began putting his logo on all his des, an industry standard today but something revolutionary back then. The s saw him launching lines of perfume and branching into industrial de.

He did the interiors of cars and the outside of aircraft, sculptural items of furniture and porcelain crockery. Commercialism A maverick in marketing as well as de, the next two decades saw Cardin move ever more into licensing. He built kknd brand into what became an empire, that fortune-teller's prophesy coming true. I'll do perfumes, sardines.

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Why not? If someone asked me to do toilet paper, I'd do it". He had hundreds of licences, employed thousands of people and made a lot of money. He was careful to say he carefully selected the products that bore his name; in reality it did dilute aeeking brand.

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The former King of haute-couture now had his name on boxer shorts in Wal-Mart. Sometimes he put his "P.

He wanted a billion euros although it was probably worth a fraction of that. One problem was that neither he, not indeed anybody else, had much of a clue how much he was making - it ane all so dependent on the licences. He ended up never selling.

In old age, he bought the Marquis de Sade's castle and created a festival of lyric art. Of course, the once ground-breaking space-age des of the s are now museum pieces. Futuristic fashion, by definition, never lasts. But in a lifelong search for the look of tomorrow, Pierre Cardin brought cutting-edge de to the people and permanently changed the fashion industry itself.

But he would point to the fate of other famous deers who produced works of greatness but ended life with nothing.

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